Wednesday, 19 March 2014

BLOG NEWS & UPDATES #2

News & Updates March 19th

So I've been on the posting spree today. Everything that came up today has been in the works for the last week in some way or another- I've just been a busy girl, that's all. Don't hate.

I gave the blog a new look today as well, but nothing new on the technical front.

I have some more stuff in the works for all of you too- part II in the MF Grimm guide (which is going to be about his book) and part III (which will probably be all about the new stuff with Drasar Monumental). Additionally, I have part IV of the Wu-Tang guide coming which is going to be about post-Golden Age releases that hold their own with the GA ones. I may split that up into two pieces, one about non-Ghostface Killah releases, and one just for GFK.

After that the plan is to branch out some more. I'm going to do a piece on cool hip hop concept albums. That could take a little while to get together, or it might come out in multiple iterations. So keep your eyes open for that, the plan is to have it out by the end of April (we'll see). On top of that I'm hoping to do a piece about Jean Grae<3. I've been pretty generous with the boys, but there are some ladies who deserve some serious love, and JG is one who can rap circles around most male rappers EASILY.

That's all for now, remember to follow me via the mail list to get an email whenever I post something! xoxo <3

Hodgy Beats Recommendation

Note: I'm taking a break from my two biggest ongoing projects, A Short Guide to MF Grimm and A Short Guide to Wu-Tang Clan right now before launching into my next plan, where I go over some terrific hip hop concept albums (full-on concept albums at that, not just the ones following a concept so loose you wouldn't even notice it).



This is a short post with a very specific recommendation. Now I'm not too huge on Odd Future on account of Tyler the Creator (whose rape lyrics aren't shocking and offensive so much as just tiresome and completely useless), but I did receive a recommendation recently to check out Hodgy Beats' Untitled EP (2012). I gave it a listen and actually found it really cool. This boy can rap, and the production picked is fantastic. Topically he deals with drug addiction, shitty life choices, etc. I should also point out that life would probably be better for these cats if not every woman was a hoe and a bitch, but CLEARLY it's ALL the fault of the woman, and not at all the men who beat/rape/murder them. HMPH. In any case this is well worth your time, and you'll be happy to know that it's free on the Odd Future website! As always the link is included. :)

If you want a particular track recommendation, you gotta check "In a Dream," that shit really speaks to me.

http://www.oddfuture.com/collections/music/products/hodgy-beats-untitled-ep-1



Soul Science Album Review

Soul Science Album Review:

Artist: Elavi
Length: 70:48
Year: 2007
Tracklist:
  1. Intro
  2. Revolution
  3. Doves Still Cry
  4. Droppin Science
  5. Jacobs Ladder
  6. My Name On It
  7. Smoke & Mirrors
  8. The Dawn
  9. Out of Sight, Out of Mind
  10. It's Not About You
  11. The Show Must Go On
  12. You Must be Crazy
  13. Faith in the Valley
  14. Clockwork
  15. Bombs
  16. M.O.N.E.Y. (My Own Natural Energy Yield)
  17. Soul Science
**Have you read the Readme?**

This is interesting and there's a story here (that's also interesting?). I actually met Elavi a few years back in the UK. He was performing on the street and I liked it well enough. He was there rapping and playing bass guitar with a drum machine going too. I thought that it was fairly fresh- after running into him a few times and enjoying a conversation I picked up a CD to show some support.

Here's the thing. Elavi is actually fairly talented. I never heard him do anything too fancy on his bass, and he doesn't throw out any crazy solos on this album either, but it's still quite solid. Even more important, when he wants to his rapping is decent too. These are the biggest strengths and weaknesses of this album. Firstly, Elavi self-produces everything about this album. The rapping, the singing, the composition, arrangement, production, etc. is all handled completely by Elavi. Elavi is actually a decent arranger and producer, but the problems start with the mixing. The production is often rather compelling, and due to the live instrumentation stands out from a lot of hip hop, but instead of adding to the rapping it often takes away from it. This is for one main reason- Elavi has set himself up to be a messiah-type figure in line with his idols (name-dropped in the liner notes here as including Bob Marley, Tupac Shakur, Jimi Hendrix, KRS-One, John Lennon, etc.). He feels (also according to the liner notes) that these characters have "gone deeply into the soul of music" (whatever the hell that means). The album is also "dedicated to all the lovers of true musical expression, to all those who feel that music has become either driven by money or egos and by big corporations who force pointless irrelevant music on the masses." So... unlike the 1920s, right? Look, I'm going through this because this is all central to the music on the album. I get that Elavi thinks this is some kind of revolution he's starting here, but I don't see it. Revolution against what? A corporate music industry where artists have more freedom than they ever did? Evil governments? This is all well and good, but listening to the album (for the tenth time too) I still have yet to really figure it out. I don't mean that in a good way either.

All of this being said there are some positives. When Elavi decides to actually rap instead of just half-singing "deep" one-liners (ugh) or half-chanting "deep" one-liners (also ugh) he actually pulls it off quite well. I also don't have a problem with politically charged stuff, but it needs to be pulled off well. Clarity always has to be a key element for this sort of thing if you want it to have any kind of lasting impact. When Elavi is focused on just doing the music instead of placing himself at the centre of this musical revolution he has the greatest impact and sounds the best.

Also, what is "soul science?"

Recommendation
Meh. There are two main ways to procure this album. One is in person from Elavi himself. If you see him on the street in the UK (usually Manchester I am lead to believe) and like what he's doing on the street then pick up a copy of this to support him. I'd assume you can get this online some way or another but I don't know why you'd be all that compelled to without actually meeting him.

MF Woolly, free album! - Operation Chrome & Ivory

Here's something neat.

MF Woolly is a hip hop duo consisting of T-Woolly (aka Granddad Woolly) and MF DOOM. DOOM handles the beats, T-Woolly takes care of the rhymes. The end project, called Operation: Chrome & Ivory (originally released 2009) ended up being pretty fantastic. Apparently no one cared, and no one listened to it. That was awfully silly of them, wasn't it! Well, recognizing this, T-Woolly very generously decided to (two days ago) give it away for free on his website with two bonus tracks (link included at the bottom). That was awfully nice of him, wasn't it!

I should also mention that despite hearing some of these beats quite regularly on different albums this is one of my favourite DOOM collaborations. T-Woolly is a fantastic rapper, and he basically carries the album from start to finish over some fantastic production choices.

http://granddadwoolly.bandcamp.com/album/the-granddad-presents-mf-woolly-chrome-ivory-5-year-anniversary-edition

Did I also remember to mention that this album is actually fantastic? Because that should be remembered.

PERFECT 天 Album Review


PERFECT 天 Album Review:

Artist: RYU BLACK
Length: 73:44
Year: 2011
Tracklist:
  1. Intro
  2. Satsui No Hadou
  3. Ansatsuken [Feat. Majesty]
  4. Hayashi N Kaze ( 林 風 ) [Feat. Masia One]
  5. How Hadou
  6. Go-en ( 御 縁 ) [Feat. Divine Life]
  7. Once Bit 10
  8. Sakura-chan [Feat. Mio Fujii]
  9. Cry
  10. Heaven ( 天 ) [Feat. Mariannie]
  11. Chun Li [Feat. Mega Ran and Masia One]
  12. Yama ( 山 ) [Feat. Dashah]
  13. Metsu Ansatsuken ( 暗 殺 拳 )
  14. Dojo Kun
  15. Minasan [Feat. Arablak, Baron, DVS, Hona Core, Kenso Kuma, Lex, Atari Blitzkrieg, Cy Marshall Law, Hop and Jon Luca]
**Have you read the Readme?**

Let me preface this by saying that this album is not for everyone. That's not at all a bad thing though. This album isn't supposed to be for everyone.
PERFECT 天 is an album that is a true treat for fans of the Street Fighter videogame series. Yes, this is a Street Fighter concept album. When I first learned about that my excitement shot through the roof. I love Street Fighter, and this is a perfect ode to the series, especially the classic Street Fighter 2 sub-series.

The beats here are tight, and the rhyming is great. Minimal but talented guest features add characters to the concept without weighing it down with too many voices to keep track of and everyone brings their A-game. I wasn't familiar with any of the names on the guest list either, but for a project like this it wasn't terribly surprising. Between every track are skits which add some narrative detail to the album. Ryu (here as and performed by RYU BLACK) journeys and adventures, hanging out and fighting with Ken, Chun-Li and others, fighting Zangief, Vega, etc. Those familiar with the story of Street Fighter will be able to pull specific details from the album's lyrics and will also get a nice surprise in the album artwork (not only the cover, but the entire CD case- designed by Ron Wimberly).

One of the biggest pros for this album is that despite its long running length (largely courtesy to the abundance of skits) it doesn't feel like a long undertaking. The skits add freshness between tracks, and the variety of topics (surprising considering the source material) make for a great listen start to finish.

Where the album falters a bit is in terms of its broader appeal (and I'm not talking about radio tracks!). The skits get a bit cheesy in places and sometimes the more serious topics of suicide and bullying don't come through all that well. Here's the thing though- this is a concept about Street Fighter, if you're down with that kind of thing then you aren't gonna be bothered by those things. A bit of cheese is basically required considering the source material and is more than forgivable with beats and rhymes this good. I suppose the biggest complaint anyone would have is this: if you don't know anything or don't care about Street Fighter then why should you care? To answer that perfectly honestly- I don't know, I love Street Fighter.

Recommendation
I highly recommend this album. It has the beats and rhymes that any lover of underground hip hop can get on with. While I'm not sure those who don't already love Street Fighter will be all that compelled to care, this is one of the most compelling hip hop concept albums out there, and it will definitely find itself on heavy rotation for those who are open to the concept.

Album Reviews Readme

I don't normally do this kind of thing, but special cases deserve special treatment. I'm talking about albums, not people- you're not special (unless you're reading this! <3).

Words of Warning

So, these are going to be some of my rare album reviews. A couple words of warning to preface all of this. While I am a professional freelance writer (no, really I am!) I am not being paid to do this blog, which consists wholly of my opinions, views, thoughts, feelings, etc. So while any review I write is going to strive for balance and fairness, I am not writing a consumer guide, and I don't believe there's truly such a thing as objective reviewing (and anyone who claims otherwise is either lying, or deceiving themselves- that's bad faith man). That being said, I am a professional, and this is a review, so you could probably swing it to call this a professional review (take that Wikipedia!).

Also, another cautionary word. I am (most likely) not going to be commenting on an artist personally. If I have heard bad thing X about artist Y I probably won't be commenting on that. So if you're 2Pac and I'm doing a piece about Biggie, I hope you can understand that while (especially if you've spoken to me about the topic personally) I am a third party removed from the situation. So even if I believe you completely or agree with you from personal experience I will attempt to not let that affect my writing. This serves a different purpose.

Lastly- I really don't feel the need to take requests. I have a near insatiable appetite when it comes to music. You can suggest something to me if you think that I'd like it, but if you ask me to review it it may not happen.

Recommendation System

The structure of my reviews are pretty basic. I'll ramble on for a bit about the album and give some thoughts on it. I'll probably talk about some positives and some negatives (like all reviews should, right?). After that I'll put a "Recommendation" section where I tell you straight up if you should look at getting this. Again, this isn't a consumer guide, so I won't tell you where and when you should throw your money. No scores, just an honest opinion.

Monday, 10 March 2014

BLOG NEWS & UPDATES #1

News & Updates March 10th

A bit of news from your lovely, beautiful hostess today. As some of you know, I've been going through a re-branding process with the blog including a slight name change, the deletion of old posts that don't fit the bill, and some better search and categorization items. What the fuck does that mean? (sassy today) It means that I've added a Wikipedia search bar for anyone who might not know who a particular artist is, or who wants a bit more info on something I mention. Wikipedia isn't academic, but for a lot of things it works relatively well. All you have to do is enter the keyword, hit search, and underneath a link should appear. Click on it and a new tab will open with the wikipedia page. That way you don't need to worry about leaving the blog and can cross-reference the two. I feel so smart! :D

I'm thinking that I'll post updates whenever I make them to make this all a bit more personal <3, so this is the first one of however many end up appearing. As part of the re-branding process I'm trying to post more regularly, and about more specific things. Exciting things coming soon! <3

Shameless Advertising

Okay, now that the technical stuff is out of the way I have some advertising I promised to do! I have entered into a partnership with my lovely friend Ishmael. He's cool. He tells me that he's starting a podcast about hip hop with some friends of his. From the description I got it sounds like it'll be a really cool project, and so this is a shoutout for him, keep your eyes open for that. I'll be linking that shit up when it happens!

Also, Ish also turned me on to this friend Kamal of his who runs a Facebook page specifically on female composers in all kinds of music. My understanding is that there hasn't been too much hip hop stuff there yet, but there have been lots of posts and there's some really cool stuff! So keep it real and visit the page, you'll probably learn something, and learning is good, right? Keep following it and see where it goes! Here's a link:

https://www.facebook.com/wcomposers?fref=ts

Sunday, 9 March 2014

A Short Guide to MF Grimm (Part I)

Note: I should probably be finishing up with my Wu-Tang guide, but I suddenly realized that I have a higher calling right now. In light of this I'll be writing a series on MF Grimm.

Preface: The purpose of this is to help people familiarize themselves with MF Grimm, who is my second favourite living emcee (second only to Ghostface Killah, and MF, if you're reading this, know that it's a VERY close second). MF Grimm is one of the most important emcees in underground hip hop, and his legacy is an integral part of hip hop history, even if it is oft ignored in favour of Puffy (or whatever the fuck he's calling himself now).

Background information: As usual I won't go into much biographical detail, there's Wikipedia, and even though I know more about Grimm's background than that (thanks to his book) it's not entirely necessary for this. I will provide some background to help though. MF Grimm's career has had him using multiple stage names. Here are his various pseudonym's (to the best of my knowledge):

  1.  Percy Carey - Grimm's legal name which he uses for his online activities and other things.
  2. MF Grimm - Grimm's usual stage name. Most of his releases have appeared under this name.
  3. GM Grimm - GM stands for "Grand Master" because of Grimm's status in the hip hop community. This title was given to him by Chuck D from Public Enemy.
  4. Jet Jaguar - MF Grimm is/was (are they still around?) part of the rap collective Monsta Island Czars. The whole group uses names based around Godzilla films (y'know, Monster Island?).
  5. Grimm Reaper - No album releases under this name, but Grimm sometimes refers to himself this way, and he put out some early singles under this moniker
The Guide (Part I): Now for the important part- the releases. I won't cover any singles that were released over the years (although they're important too!!!!). I also won't include any guest appearances, nor will I include any executive producer credits (although some of those are also quite important). Collaborative efforts will be included, however (also please excuse the shit quality of some of the images provided. I hate using anything other than 500x500 for these posts, and for some things I had to sacrifice quality).


Album: MF EP
Artist: MF DOOM & MF Grimm
Release Date: November 28, 2000

This first MF Grimm release is a collaborative EP with MF DOOM. The idea of it as an EP is a bit strange to me (as are most hip hop "EPs") in that it does not conform at all to the standard of what an EP is. I should also clarify the term "collaborative" here. The first three tracks are MF DOOM solo tracks (although one features Grimm as well as the terrific Rodan) and the following four tracks are MF Grimm solo tracks. Some of them are remixes of previously released tracks. The following seven tracks are the instrumental versions of the first seven, in order. For those who like to freestyle, or just like to listen to instrumental tracks, I suppose (the beats are great, so either way it's a treat).

Album: The Downfall of Ibliys: a ghetto opera
Artist: MF Grimm
Release Date: January 12, 2002

This album (THIS ALBUM) is Grimm's first solo release. Those of you who have read his Wikipedia bio are at this point asking- "wait, what? 2002? How can that be?" You would be asking this because Grimm was sentenced 4 years to life in prison in 2000. Well, Grimm somehow paid a 100,000$ 24-hour bail in 2001 to get out of prison long enough to record this album. Yes, he recorded this album in 24 hours. The whole album conveys this sense of urgency that only a person facing life imprisonment can possibly feel- the whole record is filled with brilliant imagery, metaphors and allusions. Grimm is on point with everything, and the production on the album is just as tight, start to finish (largely produced by MF DOOM with some other contributors). This album is one of the best records I have ever had the privilege of listening to. I remember the first time I put it on. I was blown away by it, and am impressed by it to this day. Thankfully it was reissued in 2010, so it's one of his easiest works to acquire. That is not the case for most of his releases, unfortunately.

Album: Best of MF
Artist: MF DOOM & MF Grimm
Release Date: 2003

I actually have no information about this album other than that it was released in 2003, the year Grimm got out of prison. Whether it came out before or after his release I don't know. Was it a celebration of his release? Don't ask me. What I do know is that it's a compilation of DOOM and Grimm tracks up until that point. If you have heard their releases up until this point you've probably heard most or all of these tracks. Sorry, that's all I got. This is the only 2003 Grimm release I'm putting here because he didn't end up recording on his collective Monsta Island Czars' debut album (and thus far only official release) Escape from Monsta Island! because he was still in jail.

Album: Digital Tears: E-mail from Purgatory
Artist: Jet Jaguar
Release Date: March 1, 2004

Holy fuck. This album is the darkest thing that Grimm has ever done. It is violent, it is dark, it is depressing. It is also damn good, but maybe not suitable for those faint of heart, or easy listening sessions. I heard that the lyrics of this album were mostly or entirely written while he was in prison. I don't know if that's true, but I don't doubt it. This is the only album that Grimm released under the Jet Jaguar moniker (although he has lots of guest appearances on other M.I.C. releases under this name), and the only one that refers to him as "GM Grimm." While I feel that he definitely deserves that title, I like the ring of "MF Grimm" a bit better, so I'm glad that's what he usually uses. If I ever meet him I'll call him GM though. This might be when he started using lots of cool interpolations from other artists, which is one of the most unique things about his albums (although not all of them have it).

Album: Special Herbs + Spices
Artist: MF DOOM & MF Grimm
Release Date: May 11, 2004

 This album is another joint release between the two most prominent MFs (I understand that there are others but I don't know too much about them besides their names and that they are/were affiliated with M.I.C.). Unlike the last two joint releases between the two however, this album features MF Grimm rapping over a series of MF DOOM beats all taken from his Special Herbs series, hence the name of the album and the names of the songs. "Dragons Blood + Cayenne = 1000 Degrees" may be the hardest song ever recorded, just look up the lyrics and listen to the track if you need proof. I have also heard that most or all of these tracks were written as freestyles right before recording. Again, I don't know if this is true or not, but they definitely sound like freestyles. It's great, of course, because Grimm is a veteran battle rapper and freestyler, it just means that the tracks here don't have conventional song structure most of the time.

Album: Scars & Memories
Artist: MF Grimm
Release Date: April 25, 2005

This is a compilation album that Grimm released. It's not a best-of though, and the fact that it's a compilation isn't advertised anywhere on the product. Or so I hear, because it's out of print and new copies on Amazon.com are going for hundreds of dollars ($928.96 New). Upsetting as FUCK!!!! That's because this is probably my second favourite Grimm release. The tracks on here were recorded anytime between 1990 and 2004, and due to theft, some of them were re-recorded (don't know which ones, so don't ask- well, I suspect that "Do it for the Kids" was). The tracks included here are rare tracks and singles. Nothing on this album can you find on another album release (a remix of "The Original" can be found on the MF EP). Even though this is technically a compilation it flows as well as an original release, which is a very impressive feat.

Album: American Hunger
Artist: MF Grimm
Release Date: July 25, 2006

Think back to all of the hip hop double albums you know of. I know you're thinking about the obvious ones- All Eyez on Me, Life After Death, Wu-Tang Forever, The Blueprint 2: the Gift and the Curse, etc. Now that you have that all in your head, eliminate all the good ones. Now you're stuck with a bunch of overly indulgent double disc sets that are only as long as they are because they have enough filler to barely push their album over the 80-minute mark. Hell, even Nas' very excellent Street's Disciple barely hits the mark by clocking in at 92-minutes. American Hunger isn't a double album. It doesn't have filler. No, it's a triple album. There's no filler. The shortest of the three discs is 62 minutes long. The other one is just under 70 minutes, and the third disc is 72 minutes. That's right. MF Grimm didn't just do a triple album (the first in hip hop), he crafted an album of societal and personal critique with tight production and equally tight song writing that works. It WORKS. It FILLS the three discs. Keep in mind that this is MF Grimm's fifth album, too. There are a lot of hip hop artists that don't even have five 45 minute albums of material in them (50 Cent, Diddy, Master P, probably Macklemore- fuck that guy too). This shouldn't be your first MF Grimm album, but if you've been going through his material, rest assured that this sits with the best.

Album: The Order of the Baker Gingerbread Man Mixtape
Artist: MF Grimm
Release Date: September 18, 2007

This is a mixtape, as the title suggests. It's presented by Stricknine and MF Grimm and was released as a promo for his following album. There are some tracks where he raps from the perspective of the Gingerbread Man (Gingy) and then some mixes of some old classics. I don't have too much to say for this one. I know that it's not an album release, but I thought it deserved a slot for its significance in his discog. I think that there's a certain amount of irony in that even though this is a mixtape released to promote an upcoming album it's actually a lot easier to get online in CD format than albums like Scars & Memories or Digital Tears. I wish that all of Grimm's releases were readily available.

Album: The Hunt for the Gingerbread Man
Artist: MF Grimm
Release Date: September 25, 2007

As you probably guessed from the vague description of it that I gave in the mixtape summary, this is indeed a concept album. While the story of the Gingerbread Man isn't something that one would typically imagine a hip hop concept album would be about, I have to say that it works. Really well. REALLY well. Grimm doesn't drop character once, and everything (EVERYTHING) has been transposed to candy terms. This is a fantastic concept album, and ranks up there with Ghostface's work on Twelve Reasons to Die. After the 3.5 hour marathon of American Hunger, this serves as a more light-hearted treat (although sex and violence is here in spades). Gingy's adventures escaping from the Fox and the police are riveting and entertaining. Grimm's releases keep innovating.

Album: Story
Artist: MF Grimm
Release Date: August 24, 2009

This is another release that isn't a proper album (nor is it an EP I don't think). I'm not really sure what to call it, but I think we can safely go with "teaser." This is a release that Grimm put out in 2009 for free on his website for a limited time. Since I came to the MF Grimm game a little bit late I totally missed the boat on this one. The link is still active on the Day By Day Entertainment website, but the album is listed as "unavailable." This release is set up like a very short film, which is kinda neat- out of the 9 tracks 4 are skits of some kind. If you've ever watched any North American films you'll probably recognize the opening two tracks. While this release is very light on content (it was free, no complaining), it does contain two of my favourite Grimm tracks in "One Love" and "Everyday." I wish that Grimm would release this on iTunes for 2.99$ or something so that people could cop it that way. For those who are completists (or just want to hear some more Grimm- good for you!) you can find it online fairly easily. If you have trouble I can provide a link.

Album: You Only Live Twice: the Audio Graphic Novel
Artist: MF Grimm
Release Date: June 8, 2010

MF Grimm continues to evolve as an emcee and as an artist all around. After completing his first graphic novel in 2007, Sentences: the Life of MF Grimm, Grimm has returned to comics with this release. Each track is accompanied by work by Jim Mahfood (sort of like Aphex Twin's Selected Ambient Works Volume II). This album was also completely produced by Twiz the Beat Pro. What does this all mean, you may ask? This is one of Grimm's most solid and consistent works. The album has a singular sound that goes across all the tracks. That doesn't mean that they sound all the same! The album features some of Grimm's most tongue-twistingly terrific lyrical work, and with the beats to match this is a truly impressive project. Keeping with the constant evolution of his artistic abilities and vision this album features much more rhyming about how dope he is, and other battle topics (including a hard and terrific Diddy diss). While some longtime fans may be a bit put-off by themes that don't include the usual soul-baring this is actually one of my favourite Grimm albums.

 Album: Preemptive Strike
Artist: MF Grimm & Drasar Monumental
Release Date: November 7, 2012

This is the first of three (so far) releases by MF Grimm in his new partnership with Drasar Monumental on the latter's Vinyl Vendetta label. This release is a mixtape that was released on Soundcloud at a name your price rate. Instead of the typical mixtape this is actually just two tracks, one 16 minutes, one 14 minutes. This is to give the impression of a vinyl release, something that is a norm with the pair's releases. I'm a person that prefers listening to an album start to finish instead of on shuffle or just picking random songs but it'd still be nice to have separate tracks. There are also a lot of tracks that fans of Grimm will know all the words too, but they're interpolated and laced with some interviews, freestyles, and Drasar's very excellent scratching (at least, I'm assuming that it's Drasar?). Anyways, this is a completely inessential release, but is a lot of fun for anyone who's a fan of Grimm, and if you haven't checked out the Good Morning Vietnam releases yet then this is a great little tease, as it includes some Drasar beats.

Album: Good Morning Vietnam EP
Artist: MF Grimm & Drasar Monumental
Release Date: December 16, 2012

After releasing the excellent You Only Live Twice in 2010, Grimm laid low for a couple years. This EP is a collaborative effort between himself and Drasar Monumental (who I had never heard of prior to this). The album is a proper EP this time around! That makes me happy. What does not make me happy is that it was such a limited release that it's virtually impossible to find physical copies by now. It's also worth noting that the CD release does not include the instrumentals, despite advertising that it does, and that it plays as one single track instead of multiple. This is the first of two (so far) collaborative efforts between Drasar Monumental and Grimm. Since I'm so unfamiliar with Drasar Monumental I can't make too many comments about his work in relation to his other work. As for Grimm... it's Grimm, you know what to expect- nothing but the best. "If life gives you lemons barter for tangerines."

Album: Good Morning Vietnam 2: Golden Triangle
Artist: MF Grimm & Drasar Monumental
Release Date: November 26, 2013

This is the album sequel to 2012's collabo EP, Good Morning Vietnam. Both releases were a limited release of 500 (more?) copies, which once again makes it hard for fans opposed to using iTunes (seriously, you just have an extended lease, and how can you show your friends and family the release, artwork and all? Nothing is better than having a proper CD in hand). Either way, this continues where the EP left off, so it's the obvious next step for fans of that release. Since this album was released not too long ago it's likely that it'll be the only Grimm release for the next little while. I'm taking that opportunity to promote the SHIT out of his present releases. "Oh, he's too underground, I need my songs to be radio, radio!" you say? FUCK YOU! Grimm is one of the best, and you need to recognize.

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So this is where I'm leaving off for the next little while. When any new Grimm projects come out I'll update this post (and probably promote any upcoming releases that I catch wind of). Grimm is one of the most varied and diverse emcees on the mic. While so many artists try to build up their street cred with bold-faced lies about their drug emporiums (Jay-Z, and I even like that guy's music) Grimm has the experience but chooses to speak out about that lifestyle. He wrote tracks for The Chronic, as well as other hit releases he is apparently contractually obligated to not tell us about. There's much more to talk about than I covered in the above. In fact, I'd have to do a post for each of his releases to do his style justice. If I haven't convinced you yet it's not because Grimm is lacking, rather that I don't have the words to adequately describe him. 'Tis a labour of love.

Wednesday, 5 March 2014

15 Albums for the Disoriented Generation

Amidst many other projects (including the ongoing and increasingly poorly named "Short" guide to Wu-Tang Clan) I have taken to my infinite wisdom to start another project. Why? Go fuck yourself. In this new series which may or may not be ongoing, I'll throw 15 basically random albums at you. Are these 15 albums that everyone SIMPLY MUST LISTEN TO BECAUSE THESE ARE THE SOME OF THE BEST ALBUMS IN ANY GENRE OR BY ANY ARTIST PERIOD (crazed ranting courtesy of Amazon, YouTube and various blogs- clearly I'm being a bitch today)? No, not really. There are a few requirements though.

1) I must like the album well enough, but it doesn't have to be a favourite, or a favourite of a particular genre
2) Avoiding having multiple albums from the same year. Going for some diversity too
3) No albums by the same artist in the same list? Why? Because it's possible to like more than one artist (heads up 2Pac stans)
4) Avoiding genre favouritism. Because that's boring, and there's so many albums in the world to choose from!
5) Avoid particular moods or themes that do not occur organically

I dunno, there aren't really rules anyways, right? I mean, aren't I just imposing my own subjectivity onto an artificial construct that was a creation (projection) of my own self-conscious onto what I am positing as "other?" And then these rules are some kind of disturbingly misguided attempt for my self-conscious to overcome what it has posited as other in a bid to overcome all otherness and achieve an absolute knowledge in absolute self-knowing? Pretty neat though, feel me? (this is the part where I tell you to read Hegel's Phenomenology of Spirit)

Anyways, here's the first 15 of the series(?) listed by year released

  1. Bo Diddley's Beach Party - Bo Diddley (1963)
  2. Layla and Other Assorted Love Songs - Derek and the Dominos (1970)
  3. Burnin' - The Wailers (1973)
  4. Zombie - Fela Kuti & the Afrika 70 (1977)
  5. Graceland - Paul Simon (1986)
  6. Songs About Fucking - Big Black (1987)
  7. Selected Ambient Works 85-92 - Aphex Twin (1992)
  8. The Score - Fugees (1996)
  9. Baduizm - Erykah Badu (1997)
  10. Moon Safari - Air (1998)
  11. The Mirror Conspiracy - Thievery Corporation (2000)
  12. Próxima Estación: Esperanza - Manu Chao (2001)
  13. Tchorba - Les Yeux Noirs (2004)
  14. Fishscale - Ghostface Killah (2006)
  15. Buena Vista Social Club At Carnegie Hall - Buena Vista Social Club (2008)
Also, it's likely that many of these artists would hate each other's music. Album art:


A Short Guide to Wu-Tang Clan (Part III)

At the end of Part I I made a remark about how the best possible listening experience one will listen to all of the Golden Age releases in the order of release. I'll provide some clarification on why that is, and why this is important to keep in mind just about the Golden Age of Wu-Tang, as opposed to so many other artists.

There are some very good reasons to listen to the Wu-Tang Golden Age in order of release. Firstly, all seven of the albums were recorded in a span of just under four years. Enter the Wu-Tang (36 Chambers) was released November 9, 1993 and Wu-Tang Forever was released June 3, 1997 (all the release dates can be seen in Part I). While this is indicative of a tremendous creative outpouring, it also allows (due to the amount of material released, totaling in at 117 songs) the listener to have a very keen insight into the creative processes and changes. Why should you care, you might ask? I couldn't give two flying fucks (or even one for that matter) if you care or not. This is my view on how to best experience the Golden Age of Wu-Tang Clan. That doesn't mean that every time you want to listen to Only Built 4 Cuban Linx... you have to go and listen to Enter the Wu-Tang (36 Chambers), Tical, and Return to the 36 Chambers: the Dirty Version first. Obviously you can listen to all of these albums on their own and it should be noted that they all hold up on their own. All I'm trying to tell you is that if you want a great listening experience, as well as an insight into the creative processes going on within Wu-Tang Clan at the time (mostly with RZA) you'll do what I say.

Maybe I'm just PMSing today.

#3: Nas Albums, Worst to Best

Note: I've been sitting on this one for ages and ages. I always intended to publish this whole set as a trilogy, where I went over three artists I was listening to a fair bit at the time. I never got around to releasing this one due to other projects and the like, but I think it deserves a belated release as opposed to no release at all.


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This is the third discography set I've ordered based on my personal preference. The last one I did was Snoop Dogg's which was at times an excruciating experience. More often than not it was at least rather unpleasant where I had to fill up space with unauthorized releases. Like 2Pac though, Nas provides the listener with a rather good discography, where even on his most whack albums he delivers stellar world class rhyming.


11. Nastradamus (1999)


Nas' fourth album still stands as his all-time low. The rhyming is fairly good as always, although some of the lyrical themes border on being cringe-worthy. This album was very rushed, as Columbia was planning on releasing leftover (previously bootlegged) material from the I Am... sessions. Nas instead went ahead and recorded all new material. If he'd had more time he may have had a better chance of putting together something more listen-worthy.

Top cuts: Shoot 'em Up

10. Stillmatic (2001)



Stillmatic is Nas' comeback album after the poor critical reception of both I Am... and Nastradamus. While it gave him a chance to get even with Jay-Z ("Ether" is a brilliant response to "Takeover") it has its share of misses. That being said it is a decent offering that put Nas back on track, even if he does sound a bit outdated in places.

Top cuts: Ether, 2nd Childhood

9. I Am... (1999)



I Am... is not nearly as interesting as it could have been. If bootleggers had not made it their work to tear it apart and it was released as a double disc, it could have been very interesting. As it stands, there are some good moments, but many are mediocre. It's still appreciated that Nas attempted to find some middle ground between Illmatic and It Was Written.

Top cuts: Small World, We Will Survive

8. Hip Hop is Dead (2006)

  
Hip Hop is Dead is a fairly interesting album. It is first of three (so far) albums by Nas to attempt to stick to a particular theme. By no stretch of the imagination is it in any way a concept album, and it's fairly inconsistent (is hip hop actually dead? Make up your mind Nas!). It's also a bit of a silly and overly dramatic. That being said, there was a huge void in hip hop post-Biggie and 'Pac, which is a nice way of saying that virtually everything that came out in the last decade sucked something fierce (notable exceptions excluded).

Top cuts: Money over Bullshit, Can't Forget About You

7. Nigger (2008)


I'm gonna start with the title on this one. The album is called Nigger. I can already hear the gasps of horror. Well fuck you all! That's what Nas wanted to call this shit, and it's what he went on record saying that all of his true fans would call it, and know it as. I've heard people call it Nas or Untitled but Nigger is the best title for the album. That should give you a sense of the themes discussed on the album. It's a bit pretentious, like Hip Hop is Dead, but it marks an upward trend in Nas' music. There is some political shit at the end that is a bit misguided, but otherwise it's a very solid album. Fuck Chris Brown though, everyone should be boycotting his stupid ass.

Top cuts: Queens Get the Money, Hero, America

6. God's Son (2002)


Why this album gets more love than Street's Disciple always confuses me. This is Nas' real comeback album to be sure, but still it has it's fair share of ups and downs. He's still too focused on talking himself up, instead of just projecting his artistic vision. That being said you can find some terrific cuts here.

Top cuts: Last Real Nigga Alive, Thugz Mansion, Book of Rhymes

5. Distant Relatives (2010)

 
Nas' collaboration and crossover album with Damian Marley is one of his better offerings. While there are some preachy moments (especially considering neither of them are actually from Africa) it's some of the most inspiring rapping Nas has done. Damian Marley being in top form doesn't hurt either.

Top cuts: As We Enter, Count Your Blessings

4. Life is Good (2012)


All of Nas' post-Stillmatic work has been quite focused, with each album tackling a different theme or themes. The last several albums have had an increase in quality with this one being the closest at heart for Nas. While Hip Hop is Dead was contradictory and confused, and Nigger had some seriously misguided moments, Life is Dead is consistent and emotional. Production is tight and lyrics are heartfelt.

Top cuts: Daughters, Bye Baby

3. It Was Written (1996)


It Was Written is a bit difficult for me. When I first heard it I was fairly impressed, but as time went on I cooled off to it a bit. I think that part of the problem was that it feels that Nas is selling out. The skit with Dr. Dre is a huge turn-off for me. I get that everyone needs to get paid and is hungry and all that, but coming out and talking about how it's all about the money, who gives a fuck about anything else is kinda sad. It's a put-down to the whole East-West shit, which is cool. It would have been nice if more people (Dre included) spent more time talking about that. It's also far less lyrically impressive than Illmatic. All this being said, it's still a great album to check out and is worth your time, especially if you're into that Mafioso shit.

Top cuts: If I Ruled the World, The Setup, Street Dreams

2. Street's Disciple (2004)


I always felt this album didn't get the praise it deserved from most people. I actually think that it's Nas' most slept on work, and this is for two big reasons. 1) It is not a pop album, and doesn't have any radio tracks to appeal to the It Was Written audience. 2) It's not Illmatic, which is so acclaimed that even the It Was Written audience has to pretend that it's their favourite Nas album. Not being Illmatic, Street's Disciple is at a big disadvantage. This is probably Nas' most artistically ambitious work in its scope and vision.

Top cuts: Thief's Theme, American Way, Bridging the Gap

1. Illmatic (1994)


Ain't got shit to say that ain't been said. I'll say this though. It's not quite as good as a lot of people want it to be, but it's pretty damn good (same goes for 36 Chambers).

Top cuts: N.Y. State of Mind, Represent, all

A Short Guide to Wu-Tang Clan (Part II)

The first part of this guide gave a brief overview of the albums released during the Golden Age of Wu-Tang Clan. For this part of the guide, I'll expand on some of the concepts covered in the last section, and explain a bit more about what happened after the Golden Age. To understand this, I'll first go over RZA's 5 Year Plan.

The 5 Year Plan

RZA, as the producer and leader of Wu-Tang Clan had the most influence over its early direction. While shopping for an initial record deal, the Clan struggled, because they required that every member be able to sign with a different label if they so chose. The Clan also wished to retain nearly complete creative control over its own projects. Eventually they managed to get the deal they sought (again, this is what Wikipedia/Google/etc. is/are for). This was the beginning of RZA's 5 Year Plan. The basic idea is what follows: for the first 5 years (1993-1997) the RZA would maintain creative directorial control over all Wu-Tang releases.  For those five years he produced and executive produced all the albums released. He also masterminded many Wu-Tang affiliate groups on various Wu-related albums, and brought about the creation of Wu-Tang Clan's clothing line, Wu-Wear. Once the Wu brand was firmly established with a uniform sound and uniform quality, the group members would diversify with different sounds, producers and side projects. This would allow for the Wu-Tang Clan to have as much music industry power and influence as possible. RZA's plan was thought out in far more detail than I have described. Of course, things didn't go quite as planned.

After the first five years, where all the Wu projects released were incredibly successful (except Wu-Wear, and good) RZA instructed all the members of Wu-Tang to go out and work with affiliates and outside producers for their next projects, while he and Ghostface worked together on his second album (and what many consider to be his best), Supreme Clientele. During this period Method Man, GZA, RZA, ODB, Raekwon, U-God and Inspectah Deck released albums. GZA's album, while not as acclaimed as the indispensible Liquid Swords, is still an excellent addition to the Wu-Tang cannon. Even though it is a bit skit heavy (although none of them are terrible or too long) which disrupts the flow of the album, the album still succeeds in expanding on Wu repertoire. The same goes for Inspectah Deck's debut album, Uncontrolled Substance. This album was actually supposed to be released in the first round of Wu releases with complete RZA production. Due to the flood of RZA's studio, etc. the album was lost and later re-recorded with Deck production instead. Method Man, U-God and Raekwon's albums all fall completely flat, with varying levels of failure and financial success. RZA and ODB's albums proved to be the most divisive for many fans. Unlike the Meth, Rae and U-God albums they're not flat-out failures, rather interesting experiments in a different area of hip hop. You'll either like them or you won't, but the efforts are admirable in any case.

As mentioned previously, RZA left all the members of Wu-Tang to fend for themselves (to varied success) while he "called dibs" on Ghostface. The results of this are two prison sentences (assault and possession of a firearm) a several month trip to Africa and the writing and recording of the album Supreme Clientele. The importance of this album to Wu-Tang cannot be overstated. Coming out after Raekwon's Immobilarity, one of the most disappointing releases of the second round, Supreme Clientele signaled the Wu's return to prominence, something that their third group album The W would firmly establish in 2000.