Sunday, 9 March 2014

A Short Guide to MF Grimm (Part I)

Note: I should probably be finishing up with my Wu-Tang guide, but I suddenly realized that I have a higher calling right now. In light of this I'll be writing a series on MF Grimm.

Preface: The purpose of this is to help people familiarize themselves with MF Grimm, who is my second favourite living emcee (second only to Ghostface Killah, and MF, if you're reading this, know that it's a VERY close second). MF Grimm is one of the most important emcees in underground hip hop, and his legacy is an integral part of hip hop history, even if it is oft ignored in favour of Puffy (or whatever the fuck he's calling himself now).

Background information: As usual I won't go into much biographical detail, there's Wikipedia, and even though I know more about Grimm's background than that (thanks to his book) it's not entirely necessary for this. I will provide some background to help though. MF Grimm's career has had him using multiple stage names. Here are his various pseudonym's (to the best of my knowledge):

  1.  Percy Carey - Grimm's legal name which he uses for his online activities and other things.
  2. MF Grimm - Grimm's usual stage name. Most of his releases have appeared under this name.
  3. GM Grimm - GM stands for "Grand Master" because of Grimm's status in the hip hop community. This title was given to him by Chuck D from Public Enemy.
  4. Jet Jaguar - MF Grimm is/was (are they still around?) part of the rap collective Monsta Island Czars. The whole group uses names based around Godzilla films (y'know, Monster Island?).
  5. Grimm Reaper - No album releases under this name, but Grimm sometimes refers to himself this way, and he put out some early singles under this moniker
The Guide (Part I): Now for the important part- the releases. I won't cover any singles that were released over the years (although they're important too!!!!). I also won't include any guest appearances, nor will I include any executive producer credits (although some of those are also quite important). Collaborative efforts will be included, however (also please excuse the shit quality of some of the images provided. I hate using anything other than 500x500 for these posts, and for some things I had to sacrifice quality).


Album: MF EP
Artist: MF DOOM & MF Grimm
Release Date: November 28, 2000

This first MF Grimm release is a collaborative EP with MF DOOM. The idea of it as an EP is a bit strange to me (as are most hip hop "EPs") in that it does not conform at all to the standard of what an EP is. I should also clarify the term "collaborative" here. The first three tracks are MF DOOM solo tracks (although one features Grimm as well as the terrific Rodan) and the following four tracks are MF Grimm solo tracks. Some of them are remixes of previously released tracks. The following seven tracks are the instrumental versions of the first seven, in order. For those who like to freestyle, or just like to listen to instrumental tracks, I suppose (the beats are great, so either way it's a treat).

Album: The Downfall of Ibliys: a ghetto opera
Artist: MF Grimm
Release Date: January 12, 2002

This album (THIS ALBUM) is Grimm's first solo release. Those of you who have read his Wikipedia bio are at this point asking- "wait, what? 2002? How can that be?" You would be asking this because Grimm was sentenced 4 years to life in prison in 2000. Well, Grimm somehow paid a 100,000$ 24-hour bail in 2001 to get out of prison long enough to record this album. Yes, he recorded this album in 24 hours. The whole album conveys this sense of urgency that only a person facing life imprisonment can possibly feel- the whole record is filled with brilliant imagery, metaphors and allusions. Grimm is on point with everything, and the production on the album is just as tight, start to finish (largely produced by MF DOOM with some other contributors). This album is one of the best records I have ever had the privilege of listening to. I remember the first time I put it on. I was blown away by it, and am impressed by it to this day. Thankfully it was reissued in 2010, so it's one of his easiest works to acquire. That is not the case for most of his releases, unfortunately.

Album: Best of MF
Artist: MF DOOM & MF Grimm
Release Date: 2003

I actually have no information about this album other than that it was released in 2003, the year Grimm got out of prison. Whether it came out before or after his release I don't know. Was it a celebration of his release? Don't ask me. What I do know is that it's a compilation of DOOM and Grimm tracks up until that point. If you have heard their releases up until this point you've probably heard most or all of these tracks. Sorry, that's all I got. This is the only 2003 Grimm release I'm putting here because he didn't end up recording on his collective Monsta Island Czars' debut album (and thus far only official release) Escape from Monsta Island! because he was still in jail.

Album: Digital Tears: E-mail from Purgatory
Artist: Jet Jaguar
Release Date: March 1, 2004

Holy fuck. This album is the darkest thing that Grimm has ever done. It is violent, it is dark, it is depressing. It is also damn good, but maybe not suitable for those faint of heart, or easy listening sessions. I heard that the lyrics of this album were mostly or entirely written while he was in prison. I don't know if that's true, but I don't doubt it. This is the only album that Grimm released under the Jet Jaguar moniker (although he has lots of guest appearances on other M.I.C. releases under this name), and the only one that refers to him as "GM Grimm." While I feel that he definitely deserves that title, I like the ring of "MF Grimm" a bit better, so I'm glad that's what he usually uses. If I ever meet him I'll call him GM though. This might be when he started using lots of cool interpolations from other artists, which is one of the most unique things about his albums (although not all of them have it).

Album: Special Herbs + Spices
Artist: MF DOOM & MF Grimm
Release Date: May 11, 2004

 This album is another joint release between the two most prominent MFs (I understand that there are others but I don't know too much about them besides their names and that they are/were affiliated with M.I.C.). Unlike the last two joint releases between the two however, this album features MF Grimm rapping over a series of MF DOOM beats all taken from his Special Herbs series, hence the name of the album and the names of the songs. "Dragons Blood + Cayenne = 1000 Degrees" may be the hardest song ever recorded, just look up the lyrics and listen to the track if you need proof. I have also heard that most or all of these tracks were written as freestyles right before recording. Again, I don't know if this is true or not, but they definitely sound like freestyles. It's great, of course, because Grimm is a veteran battle rapper and freestyler, it just means that the tracks here don't have conventional song structure most of the time.

Album: Scars & Memories
Artist: MF Grimm
Release Date: April 25, 2005

This is a compilation album that Grimm released. It's not a best-of though, and the fact that it's a compilation isn't advertised anywhere on the product. Or so I hear, because it's out of print and new copies on Amazon.com are going for hundreds of dollars ($928.96 New). Upsetting as FUCK!!!! That's because this is probably my second favourite Grimm release. The tracks on here were recorded anytime between 1990 and 2004, and due to theft, some of them were re-recorded (don't know which ones, so don't ask- well, I suspect that "Do it for the Kids" was). The tracks included here are rare tracks and singles. Nothing on this album can you find on another album release (a remix of "The Original" can be found on the MF EP). Even though this is technically a compilation it flows as well as an original release, which is a very impressive feat.

Album: American Hunger
Artist: MF Grimm
Release Date: July 25, 2006

Think back to all of the hip hop double albums you know of. I know you're thinking about the obvious ones- All Eyez on Me, Life After Death, Wu-Tang Forever, The Blueprint 2: the Gift and the Curse, etc. Now that you have that all in your head, eliminate all the good ones. Now you're stuck with a bunch of overly indulgent double disc sets that are only as long as they are because they have enough filler to barely push their album over the 80-minute mark. Hell, even Nas' very excellent Street's Disciple barely hits the mark by clocking in at 92-minutes. American Hunger isn't a double album. It doesn't have filler. No, it's a triple album. There's no filler. The shortest of the three discs is 62 minutes long. The other one is just under 70 minutes, and the third disc is 72 minutes. That's right. MF Grimm didn't just do a triple album (the first in hip hop), he crafted an album of societal and personal critique with tight production and equally tight song writing that works. It WORKS. It FILLS the three discs. Keep in mind that this is MF Grimm's fifth album, too. There are a lot of hip hop artists that don't even have five 45 minute albums of material in them (50 Cent, Diddy, Master P, probably Macklemore- fuck that guy too). This shouldn't be your first MF Grimm album, but if you've been going through his material, rest assured that this sits with the best.

Album: The Order of the Baker Gingerbread Man Mixtape
Artist: MF Grimm
Release Date: September 18, 2007

This is a mixtape, as the title suggests. It's presented by Stricknine and MF Grimm and was released as a promo for his following album. There are some tracks where he raps from the perspective of the Gingerbread Man (Gingy) and then some mixes of some old classics. I don't have too much to say for this one. I know that it's not an album release, but I thought it deserved a slot for its significance in his discog. I think that there's a certain amount of irony in that even though this is a mixtape released to promote an upcoming album it's actually a lot easier to get online in CD format than albums like Scars & Memories or Digital Tears. I wish that all of Grimm's releases were readily available.

Album: The Hunt for the Gingerbread Man
Artist: MF Grimm
Release Date: September 25, 2007

As you probably guessed from the vague description of it that I gave in the mixtape summary, this is indeed a concept album. While the story of the Gingerbread Man isn't something that one would typically imagine a hip hop concept album would be about, I have to say that it works. Really well. REALLY well. Grimm doesn't drop character once, and everything (EVERYTHING) has been transposed to candy terms. This is a fantastic concept album, and ranks up there with Ghostface's work on Twelve Reasons to Die. After the 3.5 hour marathon of American Hunger, this serves as a more light-hearted treat (although sex and violence is here in spades). Gingy's adventures escaping from the Fox and the police are riveting and entertaining. Grimm's releases keep innovating.

Album: Story
Artist: MF Grimm
Release Date: August 24, 2009

This is another release that isn't a proper album (nor is it an EP I don't think). I'm not really sure what to call it, but I think we can safely go with "teaser." This is a release that Grimm put out in 2009 for free on his website for a limited time. Since I came to the MF Grimm game a little bit late I totally missed the boat on this one. The link is still active on the Day By Day Entertainment website, but the album is listed as "unavailable." This release is set up like a very short film, which is kinda neat- out of the 9 tracks 4 are skits of some kind. If you've ever watched any North American films you'll probably recognize the opening two tracks. While this release is very light on content (it was free, no complaining), it does contain two of my favourite Grimm tracks in "One Love" and "Everyday." I wish that Grimm would release this on iTunes for 2.99$ or something so that people could cop it that way. For those who are completists (or just want to hear some more Grimm- good for you!) you can find it online fairly easily. If you have trouble I can provide a link.

Album: You Only Live Twice: the Audio Graphic Novel
Artist: MF Grimm
Release Date: June 8, 2010

MF Grimm continues to evolve as an emcee and as an artist all around. After completing his first graphic novel in 2007, Sentences: the Life of MF Grimm, Grimm has returned to comics with this release. Each track is accompanied by work by Jim Mahfood (sort of like Aphex Twin's Selected Ambient Works Volume II). This album was also completely produced by Twiz the Beat Pro. What does this all mean, you may ask? This is one of Grimm's most solid and consistent works. The album has a singular sound that goes across all the tracks. That doesn't mean that they sound all the same! The album features some of Grimm's most tongue-twistingly terrific lyrical work, and with the beats to match this is a truly impressive project. Keeping with the constant evolution of his artistic abilities and vision this album features much more rhyming about how dope he is, and other battle topics (including a hard and terrific Diddy diss). While some longtime fans may be a bit put-off by themes that don't include the usual soul-baring this is actually one of my favourite Grimm albums.

 Album: Preemptive Strike
Artist: MF Grimm & Drasar Monumental
Release Date: November 7, 2012

This is the first of three (so far) releases by MF Grimm in his new partnership with Drasar Monumental on the latter's Vinyl Vendetta label. This release is a mixtape that was released on Soundcloud at a name your price rate. Instead of the typical mixtape this is actually just two tracks, one 16 minutes, one 14 minutes. This is to give the impression of a vinyl release, something that is a norm with the pair's releases. I'm a person that prefers listening to an album start to finish instead of on shuffle or just picking random songs but it'd still be nice to have separate tracks. There are also a lot of tracks that fans of Grimm will know all the words too, but they're interpolated and laced with some interviews, freestyles, and Drasar's very excellent scratching (at least, I'm assuming that it's Drasar?). Anyways, this is a completely inessential release, but is a lot of fun for anyone who's a fan of Grimm, and if you haven't checked out the Good Morning Vietnam releases yet then this is a great little tease, as it includes some Drasar beats.

Album: Good Morning Vietnam EP
Artist: MF Grimm & Drasar Monumental
Release Date: December 16, 2012

After releasing the excellent You Only Live Twice in 2010, Grimm laid low for a couple years. This EP is a collaborative effort between himself and Drasar Monumental (who I had never heard of prior to this). The album is a proper EP this time around! That makes me happy. What does not make me happy is that it was such a limited release that it's virtually impossible to find physical copies by now. It's also worth noting that the CD release does not include the instrumentals, despite advertising that it does, and that it plays as one single track instead of multiple. This is the first of two (so far) collaborative efforts between Drasar Monumental and Grimm. Since I'm so unfamiliar with Drasar Monumental I can't make too many comments about his work in relation to his other work. As for Grimm... it's Grimm, you know what to expect- nothing but the best. "If life gives you lemons barter for tangerines."

Album: Good Morning Vietnam 2: Golden Triangle
Artist: MF Grimm & Drasar Monumental
Release Date: November 26, 2013

This is the album sequel to 2012's collabo EP, Good Morning Vietnam. Both releases were a limited release of 500 (more?) copies, which once again makes it hard for fans opposed to using iTunes (seriously, you just have an extended lease, and how can you show your friends and family the release, artwork and all? Nothing is better than having a proper CD in hand). Either way, this continues where the EP left off, so it's the obvious next step for fans of that release. Since this album was released not too long ago it's likely that it'll be the only Grimm release for the next little while. I'm taking that opportunity to promote the SHIT out of his present releases. "Oh, he's too underground, I need my songs to be radio, radio!" you say? FUCK YOU! Grimm is one of the best, and you need to recognize.

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So this is where I'm leaving off for the next little while. When any new Grimm projects come out I'll update this post (and probably promote any upcoming releases that I catch wind of). Grimm is one of the most varied and diverse emcees on the mic. While so many artists try to build up their street cred with bold-faced lies about their drug emporiums (Jay-Z, and I even like that guy's music) Grimm has the experience but chooses to speak out about that lifestyle. He wrote tracks for The Chronic, as well as other hit releases he is apparently contractually obligated to not tell us about. There's much more to talk about than I covered in the above. In fact, I'd have to do a post for each of his releases to do his style justice. If I haven't convinced you yet it's not because Grimm is lacking, rather that I don't have the words to adequately describe him. 'Tis a labour of love.

Wednesday, 5 March 2014

15 Albums for the Disoriented Generation

Amidst many other projects (including the ongoing and increasingly poorly named "Short" guide to Wu-Tang Clan) I have taken to my infinite wisdom to start another project. Why? Go fuck yourself. In this new series which may or may not be ongoing, I'll throw 15 basically random albums at you. Are these 15 albums that everyone SIMPLY MUST LISTEN TO BECAUSE THESE ARE THE SOME OF THE BEST ALBUMS IN ANY GENRE OR BY ANY ARTIST PERIOD (crazed ranting courtesy of Amazon, YouTube and various blogs- clearly I'm being a bitch today)? No, not really. There are a few requirements though.

1) I must like the album well enough, but it doesn't have to be a favourite, or a favourite of a particular genre
2) Avoiding having multiple albums from the same year. Going for some diversity too
3) No albums by the same artist in the same list? Why? Because it's possible to like more than one artist (heads up 2Pac stans)
4) Avoiding genre favouritism. Because that's boring, and there's so many albums in the world to choose from!
5) Avoid particular moods or themes that do not occur organically

I dunno, there aren't really rules anyways, right? I mean, aren't I just imposing my own subjectivity onto an artificial construct that was a creation (projection) of my own self-conscious onto what I am positing as "other?" And then these rules are some kind of disturbingly misguided attempt for my self-conscious to overcome what it has posited as other in a bid to overcome all otherness and achieve an absolute knowledge in absolute self-knowing? Pretty neat though, feel me? (this is the part where I tell you to read Hegel's Phenomenology of Spirit)

Anyways, here's the first 15 of the series(?) listed by year released

  1. Bo Diddley's Beach Party - Bo Diddley (1963)
  2. Layla and Other Assorted Love Songs - Derek and the Dominos (1970)
  3. Burnin' - The Wailers (1973)
  4. Zombie - Fela Kuti & the Afrika 70 (1977)
  5. Graceland - Paul Simon (1986)
  6. Songs About Fucking - Big Black (1987)
  7. Selected Ambient Works 85-92 - Aphex Twin (1992)
  8. The Score - Fugees (1996)
  9. Baduizm - Erykah Badu (1997)
  10. Moon Safari - Air (1998)
  11. The Mirror Conspiracy - Thievery Corporation (2000)
  12. Próxima Estación: Esperanza - Manu Chao (2001)
  13. Tchorba - Les Yeux Noirs (2004)
  14. Fishscale - Ghostface Killah (2006)
  15. Buena Vista Social Club At Carnegie Hall - Buena Vista Social Club (2008)
Also, it's likely that many of these artists would hate each other's music. Album art:


A Short Guide to Wu-Tang Clan (Part III)

At the end of Part I I made a remark about how the best possible listening experience one will listen to all of the Golden Age releases in the order of release. I'll provide some clarification on why that is, and why this is important to keep in mind just about the Golden Age of Wu-Tang, as opposed to so many other artists.

There are some very good reasons to listen to the Wu-Tang Golden Age in order of release. Firstly, all seven of the albums were recorded in a span of just under four years. Enter the Wu-Tang (36 Chambers) was released November 9, 1993 and Wu-Tang Forever was released June 3, 1997 (all the release dates can be seen in Part I). While this is indicative of a tremendous creative outpouring, it also allows (due to the amount of material released, totaling in at 117 songs) the listener to have a very keen insight into the creative processes and changes. Why should you care, you might ask? I couldn't give two flying fucks (or even one for that matter) if you care or not. This is my view on how to best experience the Golden Age of Wu-Tang Clan. That doesn't mean that every time you want to listen to Only Built 4 Cuban Linx... you have to go and listen to Enter the Wu-Tang (36 Chambers), Tical, and Return to the 36 Chambers: the Dirty Version first. Obviously you can listen to all of these albums on their own and it should be noted that they all hold up on their own. All I'm trying to tell you is that if you want a great listening experience, as well as an insight into the creative processes going on within Wu-Tang Clan at the time (mostly with RZA) you'll do what I say.

Maybe I'm just PMSing today.

#3: Nas Albums, Worst to Best

Note: I've been sitting on this one for ages and ages. I always intended to publish this whole set as a trilogy, where I went over three artists I was listening to a fair bit at the time. I never got around to releasing this one due to other projects and the like, but I think it deserves a belated release as opposed to no release at all.


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This is the third discography set I've ordered based on my personal preference. The last one I did was Snoop Dogg's which was at times an excruciating experience. More often than not it was at least rather unpleasant where I had to fill up space with unauthorized releases. Like 2Pac though, Nas provides the listener with a rather good discography, where even on his most whack albums he delivers stellar world class rhyming.


11. Nastradamus (1999)


Nas' fourth album still stands as his all-time low. The rhyming is fairly good as always, although some of the lyrical themes border on being cringe-worthy. This album was very rushed, as Columbia was planning on releasing leftover (previously bootlegged) material from the I Am... sessions. Nas instead went ahead and recorded all new material. If he'd had more time he may have had a better chance of putting together something more listen-worthy.

Top cuts: Shoot 'em Up

10. Stillmatic (2001)



Stillmatic is Nas' comeback album after the poor critical reception of both I Am... and Nastradamus. While it gave him a chance to get even with Jay-Z ("Ether" is a brilliant response to "Takeover") it has its share of misses. That being said it is a decent offering that put Nas back on track, even if he does sound a bit outdated in places.

Top cuts: Ether, 2nd Childhood

9. I Am... (1999)



I Am... is not nearly as interesting as it could have been. If bootleggers had not made it their work to tear it apart and it was released as a double disc, it could have been very interesting. As it stands, there are some good moments, but many are mediocre. It's still appreciated that Nas attempted to find some middle ground between Illmatic and It Was Written.

Top cuts: Small World, We Will Survive

8. Hip Hop is Dead (2006)

  
Hip Hop is Dead is a fairly interesting album. It is first of three (so far) albums by Nas to attempt to stick to a particular theme. By no stretch of the imagination is it in any way a concept album, and it's fairly inconsistent (is hip hop actually dead? Make up your mind Nas!). It's also a bit of a silly and overly dramatic. That being said, there was a huge void in hip hop post-Biggie and 'Pac, which is a nice way of saying that virtually everything that came out in the last decade sucked something fierce (notable exceptions excluded).

Top cuts: Money over Bullshit, Can't Forget About You

7. Nigger (2008)


I'm gonna start with the title on this one. The album is called Nigger. I can already hear the gasps of horror. Well fuck you all! That's what Nas wanted to call this shit, and it's what he went on record saying that all of his true fans would call it, and know it as. I've heard people call it Nas or Untitled but Nigger is the best title for the album. That should give you a sense of the themes discussed on the album. It's a bit pretentious, like Hip Hop is Dead, but it marks an upward trend in Nas' music. There is some political shit at the end that is a bit misguided, but otherwise it's a very solid album. Fuck Chris Brown though, everyone should be boycotting his stupid ass.

Top cuts: Queens Get the Money, Hero, America

6. God's Son (2002)


Why this album gets more love than Street's Disciple always confuses me. This is Nas' real comeback album to be sure, but still it has it's fair share of ups and downs. He's still too focused on talking himself up, instead of just projecting his artistic vision. That being said you can find some terrific cuts here.

Top cuts: Last Real Nigga Alive, Thugz Mansion, Book of Rhymes

5. Distant Relatives (2010)

 
Nas' collaboration and crossover album with Damian Marley is one of his better offerings. While there are some preachy moments (especially considering neither of them are actually from Africa) it's some of the most inspiring rapping Nas has done. Damian Marley being in top form doesn't hurt either.

Top cuts: As We Enter, Count Your Blessings

4. Life is Good (2012)


All of Nas' post-Stillmatic work has been quite focused, with each album tackling a different theme or themes. The last several albums have had an increase in quality with this one being the closest at heart for Nas. While Hip Hop is Dead was contradictory and confused, and Nigger had some seriously misguided moments, Life is Dead is consistent and emotional. Production is tight and lyrics are heartfelt.

Top cuts: Daughters, Bye Baby

3. It Was Written (1996)


It Was Written is a bit difficult for me. When I first heard it I was fairly impressed, but as time went on I cooled off to it a bit. I think that part of the problem was that it feels that Nas is selling out. The skit with Dr. Dre is a huge turn-off for me. I get that everyone needs to get paid and is hungry and all that, but coming out and talking about how it's all about the money, who gives a fuck about anything else is kinda sad. It's a put-down to the whole East-West shit, which is cool. It would have been nice if more people (Dre included) spent more time talking about that. It's also far less lyrically impressive than Illmatic. All this being said, it's still a great album to check out and is worth your time, especially if you're into that Mafioso shit.

Top cuts: If I Ruled the World, The Setup, Street Dreams

2. Street's Disciple (2004)


I always felt this album didn't get the praise it deserved from most people. I actually think that it's Nas' most slept on work, and this is for two big reasons. 1) It is not a pop album, and doesn't have any radio tracks to appeal to the It Was Written audience. 2) It's not Illmatic, which is so acclaimed that even the It Was Written audience has to pretend that it's their favourite Nas album. Not being Illmatic, Street's Disciple is at a big disadvantage. This is probably Nas' most artistically ambitious work in its scope and vision.

Top cuts: Thief's Theme, American Way, Bridging the Gap

1. Illmatic (1994)


Ain't got shit to say that ain't been said. I'll say this though. It's not quite as good as a lot of people want it to be, but it's pretty damn good (same goes for 36 Chambers).

Top cuts: N.Y. State of Mind, Represent, all

A Short Guide to Wu-Tang Clan (Part II)

The first part of this guide gave a brief overview of the albums released during the Golden Age of Wu-Tang Clan. For this part of the guide, I'll expand on some of the concepts covered in the last section, and explain a bit more about what happened after the Golden Age. To understand this, I'll first go over RZA's 5 Year Plan.

The 5 Year Plan

RZA, as the producer and leader of Wu-Tang Clan had the most influence over its early direction. While shopping for an initial record deal, the Clan struggled, because they required that every member be able to sign with a different label if they so chose. The Clan also wished to retain nearly complete creative control over its own projects. Eventually they managed to get the deal they sought (again, this is what Wikipedia/Google/etc. is/are for). This was the beginning of RZA's 5 Year Plan. The basic idea is what follows: for the first 5 years (1993-1997) the RZA would maintain creative directorial control over all Wu-Tang releases.  For those five years he produced and executive produced all the albums released. He also masterminded many Wu-Tang affiliate groups on various Wu-related albums, and brought about the creation of Wu-Tang Clan's clothing line, Wu-Wear. Once the Wu brand was firmly established with a uniform sound and uniform quality, the group members would diversify with different sounds, producers and side projects. This would allow for the Wu-Tang Clan to have as much music industry power and influence as possible. RZA's plan was thought out in far more detail than I have described. Of course, things didn't go quite as planned.

After the first five years, where all the Wu projects released were incredibly successful (except Wu-Wear, and good) RZA instructed all the members of Wu-Tang to go out and work with affiliates and outside producers for their next projects, while he and Ghostface worked together on his second album (and what many consider to be his best), Supreme Clientele. During this period Method Man, GZA, RZA, ODB, Raekwon, U-God and Inspectah Deck released albums. GZA's album, while not as acclaimed as the indispensible Liquid Swords, is still an excellent addition to the Wu-Tang cannon. Even though it is a bit skit heavy (although none of them are terrible or too long) which disrupts the flow of the album, the album still succeeds in expanding on Wu repertoire. The same goes for Inspectah Deck's debut album, Uncontrolled Substance. This album was actually supposed to be released in the first round of Wu releases with complete RZA production. Due to the flood of RZA's studio, etc. the album was lost and later re-recorded with Deck production instead. Method Man, U-God and Raekwon's albums all fall completely flat, with varying levels of failure and financial success. RZA and ODB's albums proved to be the most divisive for many fans. Unlike the Meth, Rae and U-God albums they're not flat-out failures, rather interesting experiments in a different area of hip hop. You'll either like them or you won't, but the efforts are admirable in any case.

As mentioned previously, RZA left all the members of Wu-Tang to fend for themselves (to varied success) while he "called dibs" on Ghostface. The results of this are two prison sentences (assault and possession of a firearm) a several month trip to Africa and the writing and recording of the album Supreme Clientele. The importance of this album to Wu-Tang cannot be overstated. Coming out after Raekwon's Immobilarity, one of the most disappointing releases of the second round, Supreme Clientele signaled the Wu's return to prominence, something that their third group album The W would firmly establish in 2000.

Friday, 24 January 2014

A Short Guide to Wu-Tang Clan (Part I)

Introduction/Orientation: I'll do a short list of Wu-Tang albums here, giving everyone who reads this a bit of an introduction into the overwhelmingly large Wu-Tang catalog of albums. There are several longer guides online, including a Reddit one I strongly disagree with in places, as well as several more in depth guides that cover over 100 Wu-related releases (a very impressive feat). For this guide I'll cover the so-called "Golden Age" of the Wu, and deal with the releases from that era.

Who this guide is for: newcomers to the Wu-Tang who want to get into their very best, and most consistent work. If you follow this guide you'll have a very firm handle on the Wu.

Background information: If you're here, you probably know who the Wu-Tang Clan are. If you don't, you should probably look at Wikipedia, or refer to a search engine of your choice. However, these are the nine members of Wu-Tang Clan:
RZA - Group producer and rapper, everything during the Golden Age was part of his 5-year plan
GZA
Ol' Dirty Bastard
Inspectah Deck - The planned 1995 album was lost during a flood of RZA's studio
Raekwon - "The Chef"
U-God
Ghostface Killah
Masta Killa
Method Man - Biggest star of Wu-Tang during the "Golden Age"

The "Golden Age" albums:
Enter the Wu-Tang (36 Chambers)
Tical
Return to the 36 Chambers: the Dirty Version
Only Built 4 Cuban Linx...
Liquid Swords
Ironman
Wu-Tang Forever




The Guide (Part 1: Album Overviews):

Album: Enter the Wu-Tang (36 Chambers)
Artist: Wu-Tang Clan
Release Date: November 9, 1993

Enter the Wu-Tang (36 Chambers) was a raw, rugged and highly energetic debut that stood in stark contrast with many of the current trends in hip hop. The West Coast had been firmly in the spotlight since 1992, with the release of Dr. Dre's The Chronic, and 1993 showed no sign of changing that, with high profile releases by Snoop Doggy Dogg, Eazy-E, Ice Cube and 2Pac. While Wu-Tang Clan did not singlehandedly shift focus back to the East Coast, it set up the industry for that shift. This is the only acceptable place to start with Wu-Tang cannon.

Album: Tical
Artist: Method Man
Release Date: November 15, 1994

Tical was the second Wu-Tang release, and showcased their biggest star coming out of the first album. Tical has a dark, toned down sound that fits the lyrical atmosphere Method Man creates. RZA's production is also on point, and this marks the first transition to a more polished aesthetic that will become important to the Wu-Tang sound. This album is often overlooked for other "Golden Age" releases, but it is an album that rewards the listener who gives it their undivided attention in a way that few other albums do.

Album: Return to the 36 Chambers: the Dirty Version
Artist: Ol' Dirty Bastard
Release Date: March 28, 1995

ODB is an anomaly. He spent a lot more time in jail and in courthouses than any other Wu-Tang member. There is a strong possibility that he suffered from any number of psychological disorders (for those of you who are interested, a likely possibility is drug-induced psychosis, which often develops into schizophrenia, which would be a pre-existing condition), as well as having a serious hard drug habit which would eventually contribute significantly to his cause of death. Return to the 36 Chambers: the Dirty Version is Dirty's showcase of his crazy, mentally unstable contributions to the Wu-Tang sound. Case and point, his welfare card is the cover of his album, and he admits to having burnt multiple times by gonorrhea. Often hilarious, it's probably safe to say that half the tracks on the album are not serious songs (Dirty himself admitted to having no memory of recording the album due to how drunk he was at the time). RZA meanwhile continues to outshine every other Wu member by expanding his sonic palette and being the guiding force behind each classic album.

Album: Only Built 4 Cuban Linx...
Artist: Raekwon
Release Date: August 1, 1995

Released the same year as Return, OB4CL is often considered the best Wu solo album, and a serious contender for the best Wu album, period. Raekwon is aided here by Ghostface Killah, who appears on nearly every track. This album is notable for bringing to prominence the Mafioso subgenre of New York hip hop, as well as crafting a story and characters often compared to that of a film script. While Raekwon and Ghostface are the obvious stars here, it's RZA who constantly steals the show, with a cinematic score-like soundtrack to offset the workings and the rhymes of the cast. (If you don't believe me yet then just check "North Star." Those strings. Those lyrics.)

Album: Liquid Swords
Artist: GZA
Release Date: November 7, 1995

Liquid Swords is the creepiest Wu-Tang album. GZA raps in a stoic, overly calm manner, while the RZA provides the darkest production since Tical, this time interlaced with creepy audio samples from the film Shogun Assassin. Liquid Swords also holds the honour of being the most mysterious album. That is to say, it presents topics of gangsta rap in more religious, mystical terms. While this may not resonate with those who prefer more down to earth topics in their raps, there is a reason that many fans consider this album to be as good as OB4CL, with many claiming it to be the best Wu solo album, and even best Wu album in general.

Album: Ironman
Artist: Ghostface Killah
Release Date: October 29, 1996

After three Wu-Tang releases in 1995, and five since 1993, Ironman, on the surface, appears to almost have been an afterthought. Ghostface Killah here gets to demonstrated his stream-of-consciousness rapping in full effect, even though only a few tracks have him without guests. As it were, Ironman is actually one of the most slept-on Wu-Tang albums. While enjoying a fair amount of critical acclaim, it is often overlooked for later Ghostface albums such as Supreme Clientele. That is a very big mistake, since this is one of the most fascinating Wu-Tang documents. Instead of the usual kung fu film samples, there is an excess of blaxpoitation material, which signals a serious stylistic shift in the Wu-Tang style. On top of this, the production focuses on large amounts of 70s soul samples, and shows RZA diversifying in ways he hadn't previously.

Album: Wu-Tang Forever
Artist: Wu-Tang Clan
Release Date: June 3, 1997

Wu-Tang Forever is the culmination of RZA's five year plan. From 1993 onwards RZA had been a driving force behind all the Wu-Tang albums. Across the six albums leading up to Wu-Tang Forever there had only been a small handful of tracks not produced by RZA, and even those abided by the same stylistic standards he established. On top of this, the production remained within Clan affiliates and members. Wu-Tang Forever is a double disc album that shows Wu-Tang Clan at their most ambitious. The scope and vision of their project has been expanded substantially from their first album. The production is no longer a ruckus, but a string-laden sonic tapestry. Each Wu member expands their repertoire, their rapping technique has matured, as has the subject matter. Topics previously unexplored like the future, blaxpoitation, explicit sex raps, and love songs all surface and flourish. Wu-Tang Forever is more divisive than Enter the Wu-Tang (36 Chambers), some feeling that Wu-Tang Clan had moved forward in every way, and others feeling slightly disappointed. For every fan who felt that this was when the Wu didn't fulfill their ambitions, there is another fan who feels that this is the best work Wu-Tang Clan has ever done. This album is not as easy to understand as their debut, nor should it be, but when approached properly, it is every bit as rewarding. For the best possible Wu-Tang experience, listen to each album in order of release, ending with this one.

Friday, 6 December 2013

Various Study Playlist (Study Music 2)

So after making some hip hop CD compilations for studying (if you're into that kinda thing) I thought I'd make one for a more eclectic audience. And it truly is eclectic (well sort of- as much as it could be while still being functionally consistent and relatively cohesive). So here it is (in alphabetical order of course):

  1. Songs About Fucking - Big Black
  2. Buena Vista Social Club At Carnegie Hall - Buena Vista Social Club
  3. Marcus Garvey - Burning Spear
  4. Afrodisiac - Fela Kuti & the Afrika 70
  5. The Score - Fugees
  6. In Utero - Nirvana
  7. Ready to Die - The Notorious B.I.G.
  8. Greatest Hits: P.Funk, Uncut Funk, The Bomb - Parliament
  9. Mama Africa - Peter Tosh
  10. The Main Event: Live at the Maple Leaf - Rebirth Brass Band
  11. Freaky Styley - Red Hot Chili Peppers
  12. Galo Negro - Sam Mangwana
  13. Doggystyle - Snoop Doggy Dogg
  14. Sorry Africa - Tony Bird
  15. All Eyez on Me - 2Pac